Archive for June, 2009

Home is the where the ideas are

June 29, 2009

The Three Tenors (Eddie, Bryan and Vesely) joined by SAFC CEO Richard Harris & Stephen Cleary on Bass

Started the day with a degree of uncerainty. Enjoyed singing, get my soul in gear for the day. Continued with my art piece (to show the journey of the film we are working ) which looks like a Dadaist piece at the moment. I like Dada… and surrealism, so I’m fine with that. Matt Bate’s is intriguing me. Looks like some sort of abstract board game. Very rad.

I’ve realised that some windows in our office may help creativity. I dryly asked Andrada if we could smash a hole in the wall and she very earnestly quipped ‘you’d smash straight into someone elses office, it’s not an exterior wall’. There goes that idea. I’m usually quite tidy but our office is quickly growing cluttered with dead media, snacks, papers and other bits and pieces. For some reason I don’t want to tidy it up.

Felt a little clearer about my direction after a nice chat with Mr Speyer. Had a good walk in the fresh air with Paddy too the other day. Kind of felt very father/son like… but without the need for fatherly approval.

I now realise that most of my sparks of inspiration and ideas happen when I am at home. Maybe in the shower, in bed or slothing around in my uggboots and tracksuit pants watching football shows. It’s good to get that time alone to switch off and in a weird way that switches me on.

Creating my alter-ego for the presentation. Looking forward to him meeting everyone.

FilmLab – Day 7: Another Gear

June 29, 2009

The first week was fantastic. It was new and exciting and finished up on a great note. Now the second week picks up a notch. Each team has now been given separate assignments to do and present on Wednesday. Ours is to present something about one of our characters.

Sounds fairly straightforward but Eddie has hit a block or two and the ideas aren’t flowing as easily. Partly to do with navigating through unfamiliar territory in how he is going about this. Partly to do with not getting the two days off and working 11 straight days. I think Eddie has been quite courageously going out of his “creative comfort zone”. He’s like a bunjee jumper who has made the leap but occasionally realises how terrifying the idea of it is. The tutors are on it, I watch them do their thing and see what I can learn from them.

While Eddie goes about tackling the existentialist problems I’m being given some other assignments. One involves analyzing films, which I enjoy. Another involves making a 90 second promo. And anther involves a violin. Much strangeness but i can’t complain. Bryan, Matt C and Sophie have to make a 40 minute “proof of concept”. Matt Bate has to wear a wire and hit the streets. I only have a vague idea of what we are presenting on Wednesday. I don’t think I’ll know that much more this time tomorrow either. But for some reason, I’m sure it’ll all be ok.

Progress

June 28, 2009

We’re back at Filmlab after two days away (unfortunately I didn’t get any time off in the two days so I’m a bit of a creative windsock today) and beginning to work on this week’s presentation.

Each group had specific tasks in relation to their projects which I think will work well and give a real sense of challenge to everyone. Hugh and I have been throwing some ideas around and collecting various pieces of equipment that we hope to orchestrate into an engaging piece.

Lots of questions in my head, ideas floating around but not that many answers. I guess that’s not a bad thing though. I am probably just tired and some rest will help add some spark into my head…

Day 5 – Inspired

June 24, 2009

well after a few days incubation, today I was lucky enough to be part of what was a really satisfying and inspiring day at the filmlab.

Today was the day we saw the presentations by each of the groups about their particular projects. The presentations were aiming to encapsulate the essence of what the filmmakers want to achieve and both answer and ask questions set by the teams themselves.

To quote Bruce Springsteen, everyone felt the as if they were somewhat ‘Dancing in the Dark’ and didn’t quite know what to expect. It was a real thrill to watch the teams honesty and integrity on display and the hearts of the projects were laid out for all to see. No flashy powerpoint presentations but really simple, low-fi stuff that included filing laptop screens of youtube footage, filming actual processes taking part on stage, paintings and even a song performed.

It was such a great thing to witness and to have the chance to do ours was highly rewarding. Our project was about ‘stripping back’ animated film to the ‘truth’. I chose to do this by setting up a camera above a sketch pad which I then drew highly improvised and un-contrived and unplanned drawings of the characters from the story we are thinking of whilst playing Billy Joel’s ‘Just the way you are’. Using the most simplest techniques (not yet animation as such) of storytelling using just a pen and paper we were able to somehow touch on what kind of film we want to make.

The response was really pleasing and the group’s supportiveness was equally as powerful.

I can’t wait to see what happens next

Lablag… Day 4

June 23, 2009

I am experiencing after day 4 of Filmlab what can only be described as ‘Lablag’. As the workshop starts on a saturday and goes to wednesday 11am-7pm, I am finding myself up late every night. It’s quite a strange feeling really but last night it was bitter sweet as I had a wave of inspiration for our filmlab project/process and couldn’t sleep until 2pm. And it’s 1am now and I just polished off a banana muesli bar and a glass of milk and am feeling wide awake… here we go again.

The exercises have all been interesting. Some have deffinitely reminded me of being in drama school again too. Loving the singing in the morning with Paddy on keys. Painting has also been quite liberating and calming.

We have our presentations tomorrow for our projects and while I am not going to give our simple idea away, I will say there will be no talking what so ever. I’m looking forward to finding the nervous system of what makes my ideas tick and what will make the perfect low budget animated film.

FilmLab – Day 4: Better on less

June 23, 2009

After 4 days of FilmLab, we’re still looking at our project in very conceptual terms. The mornings are spent doing creative exercises with the other lab-ers such as singing, painting and movement. For Eddie it’s like being back at acting school, but I can’t say I enjoy it as much.  The afternoons are spent working on our projects in our teams. Sometimes we talk to one of the consultants, Paddy, Peter or Stephen about what we want to do. Other times we just do what we do. We’ve spent the last couple of days in “incubation”. Every few days we present something about our project. I’m looking forward to tomorrow’s presentation. Admittedly, Eddie’s coming up with some pretty cool ideas.

So what should a Lo-Budget feature do? I’m still not entirely sure. A film on such a low budget is unlikely to get distribution, or even any kind of exhibition. But for anyone who does end up seeing it, it should reveal some truth that would otherwise not be possible on a bigger budget. The central question then, is how it is better on a lower budget. If stripping away the economic and technical complexity uncovers a truth in the film, then it is better on a lo-budget. It’s an idea that is at odds with the prevailing perception of animation. In the 80s, Ollie Johnston and Frank Thomas immortalised and romanticised Disney’s work in “The Illusion of Life”, and animation has been elevated and pigeonholed ever since.

But with that comes plenty of opportunity to deconstruct and reconstruct the audience’s experience in watching animation. The Avant Garde in animation is strong in the festival shorts – surprisingly, not all the best and brightest minds in animation are making features. In a way this is avant-garde lo-budget filmmaking at its best where a film can be entirely come from the hand of one person’s vision. The works of Bill Plympton, Pritt Parn, Jan Svankmajer and Pez are some great examples of how traditional notions of animation can be challenged.

Perhaps our “avant garde” experience was Carnivore Reflux: we made it for nothing and did all the animation in 15 days; stripped of all the bells and whistles it was all about characters and a bizarre story; it was a reaction against the all the slick CG animation that had become so predictable. It was incredibly successful and satisfying. Interestingly it set us off on the trajectory we have been on for the last 4 years. How to extend this to a feature length is now the challenge. And if we can carry on the good run from our shorts getting into festivals and get people to see it, I’d be pretty happy.

more about “untitled“, posted with vodpod

Annecy – Part 3: Promotional Materials

June 16, 2009

Some of the things we’ll be taking with us to Annecy…

The Cat Piano wins the DENDY award

June 15, 2009

While Eddie, James, Ari et al were in Annecy, The Cat Piano won the Yoram Gross Award for Best Animation at the Sydney Film Festival DENDY Awards night.

This is the second time we’ve won the award, having won it with Sweet & Sour in 2007.

The Cat Piano’s producer Jessica Brentnall was there to accept the award.

Annecy – Part 2

June 12, 2009

More about Annecy and our films in competition.

Annecy – Part 1

June 12, 2009

James and I are currently in France for the Annual Annecy International Animation Film Festival, representing The Cat Piano and The Ghastly Gourmet Cooking Show.